February 9, 2009
I’ve stopped logging on to MySpace. The only reason I’d continued to check it was to read bulletins posted by bands I enjoy.
But then the noise became deafening.
Too much effort for too little reward.
Processor-intensive Flash ads swarmed my homepage.
And instead of including bulletin pagination, to allow me to view 25 or 50 or 100 bulletins on a page, they kept with the original model of dividing bulletins into groups of 10. Each page yielded a new set of flashing ads. Awesome.
But that’s in the past. Bye, MySpace.
So if you’re a band I listen to or a band who thinks that I might like to listen to you, there’s a question you should be asking yourself. How are you going to connect with me, now?
How are you going to coerce me to join your tribe?
Or, more importantly: where is your tribe going to converge?
I don’t friend bands on Facebook, because Facebook is for human friendships.
I rarely visit band websites, as I’ve discussed.
If I don’t visit your Facebook profile or your website, it’s going to be tough to convince me to join your mailing list. And mailing lists aren’t the ideal method for artists to broadcast from, as it’s one-to-one. Not one-to-many like the sense of community you felt when browsing a band’s MySpace profile.
MySpace succeeded for several years because it provided the tools for musicians to share their craft and assemble a community in a central location.
But if the community is dispersing, where are they going to meet next?
Where is the next MySpace for musicians?
Finding a suitable answer for this question is as important for me, the music fan and critic, as it is for the artists who want me to hear their music.
I want a central hub to connect with hundreds of artists I admire and enjoy. I want to listen, to follow, to gain an insight into their recording process and international tours and personalities.
MySpace is no longer the answer. It’s old tech.
I don’t care about exclusive album streams. I don’t care about digital music store partnerships.
I just want to know when my favourite artists have recorded new music. When they’re touring. What other people think of their music.
Twitter is not the answer. Too shallow. When it comes to musicians, it’s a case of too little data spread too thin. I’ll happily read essays on subjects that I’m interested in.
If you’re a musician, I don’t particularly want to know what you’re doing all day, every day. Just the important stuff. Specific, anticipated, relevant. New music, tours, reviews, videos.
Again, these kinds of periodic updates could be delivered via mailing list. But I’m not going to go around visiting band websites and joining lists.
Like I said, this is as important a question for me, the music fan, as it is for the artists and labels.
Build something remarkable. Something worth sharing. Somewhere worth returning to. And I’ll be there.